Intaglio Editions will be closed for renovations starting October 1, reopening November 1, 2026.
https://shop.intaglioeditions.com
See you in November!
#printmakers #photopolymergravure #gravure #photogravure #intaglio #printmaking
Intaglio Editions will be closed for renovations starting October 1, reopening November 1, 2026.
https://shop.intaglioeditions.com
See you in November!
#printmakers #photopolymergravure #gravure #photogravure #intaglio #printmaking
World Anthotype Day is October 31, 2026. Prints may submitted to AlternativePhotography.com now, until then. Visit: https://www.alternativephotography.com/world-anthotype-day/
One of the first printing tricks people often learn in a traditional darkroom is making photograms by putting objects on top of light-sensitive paper, exposing it to light, then developing it. The Dadaists such as Man Ray and László Moholy-Nagy were instrumental in bringing this simple but sublime technique into galleries and museums in the 1940s.
Anthotypes offer a much simpler way for teachers to demonstrate how to make photograms and even photographic prints without a darkroom, and in and outside the classroom, using household spices, chemicals, and the sun! Although World Anthotype Day is one October 31, people are encouraged to make them during September and October when the sun is at its brightest in many parts of the world.
What this alternative photographic process gives in simplicity and ease of teachability, it takes away in longevity, however, as anthotypes fade quickly with prolonged exposure to light after processing. One solution to this problem is to apply UV-proof lacquer spray after the prints dry. One practitioner reported a framed print lasting over 8 years without noticeable fading after treating with UV spray.
INTAGLIO PRINTMAKERS: Take 20% off our custom-made polymer photogravure plates and digital film positives/negatives for printmakers, NOW thru 9/30/26. https://shop.intaglioeditions.com

This jar of sensitizer was created using a filtered mixture of 1 tablespoon of turmeric to 1/4 cup of 99% isopropyl alcohol. These house painting brushes work fine, but we also like using hake brushes for coating. After some testing we found the best papers for this technique were washi – papers that do not contain sizing.

We found that two passes with the brush dipped in the coating provided adequate coverage. The dry streaks we thought would create an artistic effect, but it looked more like a defect after processing. Cutting shapes out of the paper and applying the sensitizer in shapes is also an option.

Simple binder clips and glass on top of heavy-weight cardboard provide the hardware needed to create a anthotype photogram using the sun! In the bright Colorado sun we found exposing for 45 minutes was best.

These simple contact frames worked perfectly fine for our requirements. Here I am setting up an ultra violet light reader to measure the amount of exposure in our first round of tests. We found 45 minutes in the bright, Colorado, noon-day sun gave the best amount of exposure for our turmeric anthotypes. The reflectivity off my head was NOT factored in.

Our trusty UV meter measures time in seconds and exposure in what it calls “doses” of light. I’ve relied on it for years to double-check output of my industrial exposure unit, but it works to measure the sunlight as well. Sadly, it’s no longer made.

Here I’m processing the test prints in baths of borax (yellow tray) and baking soda (white tray) to see which one produced the most desirable outcome. We decided the Borax solution gave browner, amber tones, while the baking soda gave a much redder tone. We used about 1/4 cup powder per gallon of water.

One technique that added more tones and colors was to process half the print in Borax, and the other half in baking soda!

Here I tried some film positives that were calibrated for polymer photogravure plates to see how they looked. You can see the streaks in the emulsion through both of these prints. We avoided this in the future by making two passes with the brush instead of one dry one.

Conclusion: Many other plants, besides turmuric can be used to make sensitizer for anthotypes, with a complete list on the website linked below. Commercial, textured watercolor and printmaking papers with sizing resisted the turmeric pigment. We found the approach worked better with pure washi papers – 100% Cotton, 100% Alpha Cellulose, or a combination of the two. We also preferred borax for the “developer” because of the richer reds, orange and yellows it produced.
World Anthotype Day is October 31, 2026. Prints may submitted to AlternativePhotography.com now, until then. Visit: https://www.alternativephotography.com/world-anthotype-day/
INTAGLIO PRINTMAKERS: Take 20% off our custom-made polymer photogravure plates and digital film positives/negatives for printmakers, NOW thru 9/30/26. https://shop.intaglioeditions.com
If you’ve lived and worked in the same studio long enough, like I have, the structure is bound to decay. Walls and seams will break down, perforate, and sometimes provide access to unwanted visitors, especially in the colder months.
This month in my Colorado studio garage, cute little field mice have been starting to hold small, but noticeable rodent raves, in spite of no food sources. They were easy to detect when the room was quiet in the form of scratching noises under the sink.

After catching two rounds of mice, I noticed probable access points along the bottom corners of the garage doors and plugged them off with fluffed up steel wool SOS pads. I’ve been catching them two at a time this week (!), and driving them to a field about a mile away after blindfolding them and spinning them in circles a few times. <:3
I like these live traps below, because you can see if you caught any without having to pick up the trap, and they don’t slam shut and mutilate the mice, which, besides being cruel, is gross to clean up. Peanut butter on a cracker is proving to be the best bait ever.
I never eat or leave food remnants, like fast food bags, around the studio space, and empty trash frequently to help avoid attracting pests.
Since the last round of extraditions, I haven’t heard of seen any evidence of mice. So it only took a couple days of monitoring to resolve the problem, thankfully.

You can buy these human traps very affordably here:
— by Jon Lybrook, Lead Printmaker & Owner, Intaglio Editions LLCI used to do alot of summer and holiday art fairs about 10 years ago, but stopped due to the amount of work I was doing with other artists, photographers, and printmakers. That plus internet marketing and consulting work meant there just wasn’t time. We continue to produce custom, high-quality intaglio plates and prints for photographers, printmakers and other small businesses world-wide, but not like we were in the early 2000s. |
| The current state of the economy here in the United States has me considering showing my own work, and that of the artists I contract with, at summer art shows again. If you are a traditional intaglio printmaker like me, perhaps you’ve been considering the same. If you are participating in art fairs already, you know summer is a busy and back-breaking time for many artists who registered for art shows back in April, when most submissions deadlines end. The good news is, you have plenty of time to start preparing for the summer art shows happening in 2026! |
| Researching, preparing, and showing at quality outdoor art festivals can take alot of time, planning, hard work, and money, but if they are effective for you, and you are committed to doing them every year, they are an excellent way to gain a new, growing audience of fans, supporters, and repeat buyers. |
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Need high-quality, professional art prints to help promote your fine art drawing, painting or photography?Let Intaglio Editions Help Your Art Business Thrive! |
Paul Richards, guitarist and co-founder of California Guitar Trio, is also a fine art landscape photographer. In this April, 2025 interview Paul talks with his printmaker, Jon Lybrook, about his new print releases, the upcoming CGT Tour, the trials and challenges of being a working musician while making landscape photographs from around the world.
Important Links:
We used to wonder what to do with by-products of expensive editioning projects, like used backing sheets of fine art paper, and unused inks and paints…
The solution of what to do with them was easier than we thought. Through the help of a friend, we were able to reach out to teachers and donate them to our local schools!
Over the past 5 years Intaglio Editions LLC has donated thousands of dollars worth of gently used Stonehenge 250 gsm, 100% cotton rag paper to classrooms around Colorado. This paper is a something we use as backing sheets when printing photogravure prints. After they have gone through the press a few times, the paper fibers have been pressed down to the point where the paper starts to crack under pressure, so they are no longer usable to us.Our annual donation of quality art paper gives students the opportunity to work with professional art materials, often for the first time. Colorado schools benefiting include: Mapleton Expeditionary School of the Arts (MESA) (public high school grades 9-12), Mapleton Public Schools #1. Thanks to art teacher Erica Wernsmann-Loppnow (Mapleton/MESA), and Silverthorn Elementary teacher Katie Irvin for sharing their stories and student’s exceptional artwork, below.
Do you have surplus paper or fine art materials to donate to art students in Colorado? Please contact them directly using the links above, or let us know!
“The paper you have given us is so lovely. I really does elevate their work it’s a great opportunity to talk to kids about reusing as well as quality of paper and what we use it for”
– Katy Irvin, Art Teacher, Silverthorne Elementary School, Summit, CO.
“[From the paper donations] we use every piece, nothing is wasted. And kids definitely feel the difference using high quality paper.” – Erica Wensmann-Loppnow
Have quality art supplies to donate as well? Contact your local elementary school or contact the school board to ask about what donations are needed in your area. New or gently used art paper, canvas, and non-toxic paints are usually welcomed.

Excellent interview with Tony Levin, hot off the road from his recent Stick Men tour, and getting ready to embark on a month of touring Europe and England with Peter Gabriel. At 1:07 he discusses his vintage photographs of Peter Gabriel, which are now available as heavy-weight inkjet prints at https://TonyLevinPrints.com
Modern Musicology’s YouTube Channel: https://www.youtube.com/channel/UCk-MlcGy5u3fK1j4bVty1Kw
Find more about Modern Musicology team members:
Rob Levy: https://kdhx.org/shows/show/juxtaposition
Stephanie Seymour: www.therearebirds.com
R. Alan Siler: www.kozmiccreative.com
Anthony Williams: https://watchers4d.podbean.com/
The legendary Tony Levin shows his limited edition King Crimson intaglio print collection at the Haggin Museum on Feb. 16, 2023. Learn More about this high-quality print collection here:
https://timeless-prints.com/tony-levin-king-crimson-fine-art-prints/